Changing Platforms

Hi, if you are looking for newer posts please follow the link to:
RanaQuilts.wordpress.com
THANKS!

Follow me!

More Trees

This past weekend I took my bag of scraps and various other supplies to Augusta for the bi-monthly Art Quilts Maine meeting. I had been asked to teach my Tree Bits technique to the group. With only a couple of hours, we had time to get the trees from conception to adding tulle. Once the tulle was in place, people could carry their trees home without fear of losing all those tiny scraps! Photos of trees in progress have begun showing up on our Facebook page and in my email. I wanted to share a few here--isn't it wonderful how diverse they are!

Celeste's tree with thread painted branches

Jane made two trees! And created a lakeside scene

Laura's tree casts a lovely shadow on the snow covered ground

Such a fun group to work with--I hope to see many more completed trees soon! 

In Conjunction with Dahlov Ipcar

The Portland Public Library recently hosted an exhibit of Dahlov Ipcar children's books. Ipcar would have been 100 this year, and the exhibit featured artwork from some of her best loved stories such as "The Calico Jungle" and "The Biggest Fish in the Sea". In conjunction with the exhibit, I was asked to do a fabric collage workshop in the children's library.

Surprisingly, people of all ages, from 4 to 74 stopped by during the 3-hour workshop and asked if they could participate. It was free flowing and hands on, with each person creating their own image--some abstract, others depicting a realistic scene which they were able to take with them. Here's a fun Big Fish!

In planning for the workshop, I created my own piece, "Stripes and Spots: Ode to Dahlov Ipcar" which we hung on an easel for the day. I love the way the animals play hide and seek with the patterned fabrics. Although the exhibit has ended, Art Quilts Maine still has a collection of pieces on display, also in the children's library. Wander on back!

I don't have a picture of the finished piece, but this is my ode to Dahlov Ipcar in progress.

Mixed Media Mashup

Art Quilts Maine 2017 Challenge, Mixed Media Mashup, is currently on tour in Maine! A dozen quilts developed in response to the challenge statement join another eight small portraits created by AQM artists. The parameters for Mixed Media Mashup were to incorporate two or more visual art media including painting, collage, photography or embellishments in a quilt that measured at least 100" in perimeter.

Several artists participated in the "portrait challenge", working to create a human portrait in a small format. Each portrait had to include a piece of dark red fabric. See if you can find the red fabric in each of the portraits pictured below! (Hint: bottom row center, the red fabric is used for a book cover.)

The exhibit is at Kimball St Studios in Lewiston through mid-November. It moves to the Portland Public Library for December and January. Or catch the show in Farmington this March and April.

Portrait Challenge Art Quilts Maine 2017

Taste of Tidewater and The Extinction Event

Summer is nearly over but there is still time to catch some artwork! Here are two events that I contributed artwork to:

Scarlet Macaw, Ara Macao
Rana O'Connor 

First up, The Taste of Tidewater 10 x 10 exhibit and sale is Online Only until September 15. About 30 pieces in all media from stained glass to clay are available for purchase. Each piece measures just 10" x 10", and a portion of the proceeds benefits the University of Maine Gardens at Tidewater Farm. These are the last few pieces left from their gala benefit evening and they are going fast! Here's the LINK.

Spindleworks' seventh annual exhibit runs through September 29 at Frontier Cafe in Brunswick. This year's exhibit, titled The Extinction Event, is meant to both celebrate and raise awareness of the diversity of species on our planet, all of which are affected by our actions and in-actions. 30% of each art sale supports Maine Audubon's continuing efforts to protect Maine wildlife.

Check it out!

MORE Trees

Tree Three Dusk
Rana O'Connor 2017

One of my students, Lisa, thought my trees would be a fine contribution to "A Taste of Tidewater - 10 x 10 Art Sale", benefiting the University of Maine Gardens at Tidewater Farm in Falmouth. The fundraiser is held annually in August. This year it is on Thursday, August 24 at the Parish House of the Episcopal Church of St Mary in Falmouth.

In addition to 75 original works of art by Maine artists, the event includes small plates and desserts created by some of Greater Portland's amazing chefs. Each piece of art is just 10" x 10" and is priced at $200. All art is displayed online prior to the event, starting August 1. I have nearly completed the two pieces I am submitting. Trees, of course, with different backgrounds, mounted on 10" x 10" wood panels provided by the organizers. Painted black, the panels create a perfect frame for the small trees.

I don't know the rules about revealing the artwork ahead of time, so the image here is a teaser--a tree I completed earlier for a friend.

Can't attend in person? Artwork not sold on August 24 will available for sale online for a week following the event, through September 4. Check it out!

Student Work

Lisa's Tree 2017

Lisa sent me a picture of her tree, begun in the "Tree Bits and Thread Paint" workshop recently! She added a bush to one side, and quilted the background with small circles, which was a great choice from my perspective, as my favorite part of her tree is the red fabric with colorful circles that appears in three or four locations.

Class trees ranged from the more realistic to fantasy, with curls and curves a la Dr Seuss. Placing tree bits took much of the day, but as the trees took shape class participants began to see the possibilities. It's fun and relaxing, playing with fabric in such a low-stress way. Watch for the class to be scheduled again later this year!

Road Trip!

Dana Thank You

Great road trip with a friend last week. Dana proposed driving to Amherst, Mass to see a quilt show. Obviously the right words to get me out of the studio! While Dana is not a quilter, the show featured two artists she knew well, a mother and daughter, both named Valerie. Valerie (the elder, at 92!) quilts while her daughter is a watercolor artist. Their show was hung in a space with lots of natural light and great seating. We spent hours talking about fabric, art and design techniques. The work was colorful and varied, with some lovely fabric landscapes. Valerie's story mirrors mine in another way--she grew up in Iran! Born in Russia, she emigrated to Tabriz then attended high school in Tehran, where she met and married an American serviceman, moving to the US in 1947! I moved to Iran in 1960, returning to the US in 1973. Small world. I wanted to make Dana a thank you card for suggesting the day's adventure and handling all the details. Knowing she spends lots of time at the beach, I pulled fabrics to create a beach scene, cut wavy lines for the ocean and sand dunes and layered them on batting. The sky was a real find--a piece of light blue with white flowers that were just abstract enough to suggest clouds and sun. A handful of shells and beads added a bit of focus. Hope she likes it! Below, two pieces from the show--love the similar color palette!

Tree Bits and Thread Paint

Teaching a new class in a couple of weeks! Titled "Tree Bits and Thread Paint" it will be at The Sewing Machine Exchange in Falmouth. I am encouraged by the interest in this class--we had to schedule a second session to accommodate participants! I know several people signed up with a friend, which is such a great way to go--the class is more fun when you have someone to share the experience.

The idea for this class grew out of a technique in my pattern, "Safe Harbor."

Safe Harbor © Pattern available at The Sewing Machine Exchange

When I taught the all-techniques class based on this pattern, several people wished we could have spent more time on the tree, so I designed this 5-hour session. I developed the tree bits and thread paint technique and have used it for several different applications including water and hair. We'll take a look at various applications during class.

Missed out on this round? Send Tyler a note and we will put you on the list to be emailed when we schedule the next one. Here's a sneak peak at the class project for "Tree Bits and Thread Paint".

Tree Two 2017 ©

Try Something New!

I downloaded a video by Esterita Austin called "Dynamic Fabric Art Portraits." I've linked to a short video preview. The technique was intriguing and I wanted to give it a try . . . sometime. Lucky for me, Art Quilts Maine members Jane and Pam issued a challenge in October to create a 12" x 14" portrait. Finished pieces were to be revealed in February. What a perfect opportunity to experiment with Esterita Austin's technique! Her portraits begin with a piece of hand dyed fabric.

Fabric used for Face

By means of judicious cutting, the entire face is constructed from that single piece of fabric. I was amazed at the way the features came together! Part two of her technique involves using tiny amounts of light and dark paint to add a few highlights and shadows. A thin line defines the eyes, a little white paint highlights the bridge of the nose, but there is minimal manipulation other than choosing how and where to cut the fabric. Speaking of which, my fabric looked rather ratty after I cut it all apart--you must be willing to sacrifice your piece of fabric to the portrait! Having created the face from one piece of fabric, I decided to use only one other piece to finish. I found this great, colorful elephant print in my stash and began cutting it apart into separate elements.

Fabric used for Frame

Jane gave us each a piece of red fabric to incorporate in our portraits, which I did though I defy you to find it! There are 6 or 8 pieces of the dark red fabric tucked in with the elephants and plants surrounding the face. This was really fun to do and I learned several tricks to use in future portraits, my current obsession! Here's my finished piece--still working on a name--any ideas?

Portrait 2017

Loose Threads

Time to do a little catching up. I have been busy in the studio, finishing up a few projects and clearing the decks to begin something new, while debating whether to schedule a new class. 

I put the final touches on the mermaid batik print, "Enchanted Oro Bay". This was such a fun piece to work on--threadwork, beading, quilting, glitter! At the very end I made the decision to quilt her skin, and what a difference that made.  I am so happy with the result that I plan to do the same for the three Fates depicted on "Working the Thread of Life" when they return from their Maine tour. That quilt, along with others from  Art Quilts Maine is held over at Kimball St Studios through November! I'll be collecting them after Thanksgiving, as the challenge pieces move on to the Portland Public Library for December and January. I do hope you have an opportunity to see the show at Kimball St--it is more extensive than the Challenge Tour. 

The piece below was begun in Dianne Hire's workshop this summer. We spent a day making curved pieced blocks, with free-hand cutting and easy stitching. If you ever have the opportunity to take a class with her do so--Dianne puts on a really fun workshop. I put the finished blocks together while at Friendship and decided to depart from Diane's style of bold colors set off by black and white. I happened to have a large floral print on hand, which became a bold border for the muted blocks. Here is a shot of the top before quilting.

What's on my design wall now? In a further exploration of human figures, I decided to take on a portrait quilt. I am building "Layla" right on the enlarged photograph. Learning as I go, this piece is all about value and shape. I can't tell where it will end, or what decisions I may make along the way. For now, it is coming along an hour or two at a time. 

Time in the studio is great. Absorbing, challenging, sometimes surprising. Whatever your passion, I hope you find time to pursue it--whether an hour or two at a time or all day every day!

Kimball St Studios

I dropped off a number of art quilts and other items at Kimball St Studios in Lewiston today in preparation for the Art Quilts Maine exhibit. The exhibit opens with September's Last Friday Art Walk in Lewiston, Friday, September 30 from 5:00 to 8:00. If you can't get to the opening, the show remains on display at Kimball St Studios through the month of October.

Featuring this year's Art Quilts Maine challenge tour, "The Power of 3", the show also includes a number of embellished masks members made last winter, and several other member items. Bonnie met me at the gallery with an armload of beautiful quilts, masks, even a bag! Most of the pieces on exhibit are available for purchase. 

"The Power of 3" refers to the many ways the number "3" appears in culture and mythology. Challenge participants responded with quilts that delight and inspire. This group of 10 quilts debuted at Maine Quilts in July and will continue for a two-month stay at the Portland Public Library following Kimball St. Note that the gallery is located at 191 Lisbon St in Lewiston.

While in Friendship this summer I refilled my box of pins featuring a botanical theme inspired by morning walks to see the fairy houses in Martin Point Wildlife Preserve. The box is at Kimball St through October.

Lady of Oro Bay

Sketching

I'm liking Oro Bay as the location. Oro means gold in Spanish and finding this batik was like finding treasure. (See my earlier post here) Many sketches later, I finally committed to quilting the moon this weekend.

Clouds scuttle across the sky in white rayon thread, while the moon is filled in with bubbles and straight lines done in a pale green silk. This has been a fun piece to work on! Soon as I figure out how to quilt the sky, the quiltingt will be done and I can move on to embellishments--and I do plan to embellish! I realized that I have no plan for how to finish the piece--some sections of the print go right up to the edge of the fabric and may pose a problem. I'll tackle that later. For now, I'm really happy with the weekend's work. Here's a shot:

Stitching

Working the Thread of Life

Watercolor sketch

Art Quilts Maine issues an annual challenge to the members. The challenge is chosen from a list of themes, prompts and ideas members contribute. This year's challenge was titled, "The Power of Three." Discussion centered on the many references to the number 3, culturally, mathematically, mystically.

I knew I wanted to work with the human form. My mind wandered to the three fates and I started researching that thought. The three fates, from Greek mythology, are Clotho, Lachesis and Atropos, three sisters who spin, measure and cut the thread of life.

An image from my research stuck with me: "The Three Fates," one of 54 drawings completed in 1884 by the American artist, Elihu Vedder as an accompaniment to the Rubaiyat of Omar Khayyam, the Persian poet. It seemed like Kismet.

Detail, Clotho

Using Vedder's figures, I painted a watercolor sketch of each woman, scanned the watercolor then printed it on muslin. I enhanced the printed images with thread paint and colored pencil. Once satisfied, I cut each figure out and fused it to my starry background fabric. A scrap of brown and gold marbled fabric proved just large enough, with some judicious cutting and arranging, to give the Fates a promontory on which to stand. Swirls of sparkly purple organza provided a sense of the Fates gathering the very fabric of the universe. In a nod to Omar Khayyam, I printed out the verse, "The moving finger writes, and having writ, moves on; nor all thy piety nor wit shall lure it back to cancel half a line, nor all they tears wash out a word of it." 

We revealed our work at the Art Quilts Maine meeting in June, and exhibited the art quilts publicly at Maine Quilts in July. Mine is one of 10 pieces that will go on tour in Maine for the year. Among the venues are Kimball St. Studios in Lewiston from the September 30 Art Walk through the end of October, and the Children's Room at Portland Public Library during December and January. There are some great pieces in the show--hope you get a to see it!

Working the Thread of Life, 21" x 33" 

What I'm Stitching

While I wish I had a picture of this piece before I started thread painting, I thought I'd share the work in progress now, and post another picture when it is completed. I'm still thinking about a name--Anderson Island Mermaid? Dawn over Oro Bay? Nisqually Reach?

I acquired this beautiful batik while visiting friends on Anderson Island in Washington state. They had a large box of fabrics from a man whose quilting wife had passed away and generously suggested I take what I liked. Who can refuse an offer like that! In the collection was this batik piece, about 30"x 35", of a mermaid silhouetted against the sunrise (or moon? or sunset?) Regardless, it was too lovely to leave in a box of unclaimed fabric!

I admired her for some time, thinking about how to enhance the batik. I started thread-painting her hair, ultimately adding eight colors of thread over the dark batik base. My threads ranged from a variegated golden brown to dark purple. It was so much fun to thread paint such a large area! I then added scales to her tail, using turquoise, green, purple and yellow thread. The shelf she sits on was a solid dark blue, the same color as her hair and tail. I used my bag of 'tree bits' to add a wash of colors, with variegated thread holding the tiny bits of fabric trapped beneath a layer of tulle. I layered the main elements over a scrap of polyester batting for loft, then sandwiched the whole with batting and backing. Next step is to quilt the background--the sun (or moon) sky and water, and decide how to finish the piece for hanging. I am still debating further embellishments in the form of glitter, sequins or beads.

Got a suggestion for a name or further embellishment? Let me know!  Here is a glimpse:

Mermaid in progress--Rana O'Connor 2016

A Mess of Thread

This is a pretty wonky post so if you aren't into the minutiae of quilting, you may want to just scroll through the pictures.

I thought it would be fun to describe how I came to quilt (and quilt) my latest quilt. Don't you find it confusing that quilt is both a noun and a verb? I started with a very simple pattern in one of my older books. The pattern is a traditional Boston Common with some four-patch blocks in alternate rows. I chose it because I had a stack of mostly sunflower fabrics to use and the required amounts meshed well with what I had. It's also a pattern I love, so I knew I would enjoy piecing it.

I chain pieced the blocks, finishing the top over a couple of weekends. Then came quilting decisions. One reason I put this simple top together was to practice quilting with my new toy, a free motion quilting foot set. It is pretty cool. Three different feet on a base that attaches to my machine. Open toe, closed toe and for lack of a better term, big toe.

I started off stitching in the ditch along several major seam lines to provide stability. I'm not convinced when everything has been spray basted that this is a necessary step, but it gave me a chance to move the quilt around under my machine, assessing what might work for free motion patterns. I knew I wanted some curvy quilting to offset the straight lines of the design, and I wanted some of that quilting to be feathers.

Quilted

Starting in the light center portion, I quilted feathers out from the center to the yellow corners. I liked the effect but had chosen a variegated yellow thread and it just didn't show up as much as I wanted it to. I let that thought percolate for a while as I quilted a leaf and vine pattern in the green squares, treating them as a border. Originally I had selected a green thread for this, but opted to keep my machine threaded with yellow, increasing visibility on the green background. Better, though still not a strong enough statement. A friend suggested I go around a second time, outlining the leaf and vine pattern. That second row of yellow quilting really helped.

For the outside border I chose piano keys for their straight lines, balancing the curved quilting everywhere else. The green thread worked well here. I used blue painter's tape along the block points to mark the keys and guide my stitching, which I carried into the green border, stopping each line where it touched the leaves. For these straight lines I switched back to a regular foot, not free motion. This provided greater control but also meant I had to stop and start over for each line. I think long-arm quilters use a ruler for this work. I hear a ruler foot is available for a domestic machine now--maybe that will be my next toy?

Red Thread!

Next came filler quilting. To make motifs pop you need to flatten the background. To accomplish this I first echo quilted my feathers twice using yellow thread, then switched to Bottom Line thread in off-white so it would not compete with my feathers and stippled the open areas. I loved how the feathers began to fill and stand away from the background but that yellow thread still blended into the background to the point of disappearing! In desperation I grabbed a spool of heavy, dark red thread and quilted over one of the feathers, figuring I could rip it out if I wasn't pleased. Not bad! I took a deep breath and over-quilted all the feathers with dark red, leaving the yellow beneath and as echo quilting. Much happier. Who would have thought?

Vines, feather, piano keys and fill

Remember the green thread? I decided to use it as filler thread around the vine, as the color blended with the background better than my Bottom Line off-white. Being thicker than Bottom Line, the green also provided a nice texture change. I filled all the spaces between the leaves on the side of the quilt next to the center, but on the side with the piano keys I opted to add filler only to a few larger spaces, between the keys. I love the effect!

All that's left is to bind and label. I'm seriously thinking of naming it A Mess of Thread--all that quilting and over quilting and issues with tension as I learned to work with my new feet! For the record, I really like them. Much better than my old clear plastic foot that wasn't so clear any more and was hard to see through and hard to see around. The metal feet are so much smaller they don't obscure my vision at all. If you've stuck with me this long, you are truly a quilting geek! Go quilt!

The back

Picture This!

So proud of the students in the Picture This! class last weekend. In spite of challenges with the fusible web on Friday, they persevered and produced the truly marvelous parade of chairs seen above! 

The second day we worked on creating a landscape for the chairs and boats to live in. Everyone learned several new techniques, including the most fun way to make trees from Tree Bits! I didn't get a chance to snap a photo of anyone's tree, so take my word for it, they look amazing.

It is really cool to see how the fabric choices affect the mood of the scene. Even before any stitching is done, the pieces begin taking on perspective and dimension. I sure hope some of the students will send along pictures of their finished pieces (or works in progress!) Here are some photos taken around mid-day.

Lisa's scene with curly grass and swirly water

Sandrea played pattern on pattern to great effect

Pat's luscious fabric choice for her ground really wowed us

Missed the fun? Linda and I will be teaching Baker's Dozen Improv on Saturday, May 14. Sign up with Tyler at the Sewing Machine Exchange. It will be a blast! 

Hope Blooms

Hope Blooms 2015 Rana O'Connor

A small tribute to a long time colleague in the world of foster/adoptive care. We worked together for many years on a collaborative team designed to raise awareness of the need for foster/adoptive parents and to support families who work with Maine's treatment foster care agencies and the Office of Child and Family Services.

Jo recently retired. I hoped to recover a banner we once created for a fundraiser with the statement, "Hope Blooms in Foster Care." The banner was long gone, though, so I set about to make Jo her very own memento.

Pulling scraps of fabric for the petals, I found a green swirled fabric in my stash for the flower center and applique letters. The girl with balloons came from fabric we used in a more recent banner. The muslin background seemed plain, but a set of alphabet stamps came to the rescue, and I stamped h-o-p-e randomly across the field. Thread paint for the petals and quilting in the flower center and background complete this roughly 15" square wall hanging.

After years of tireless advocacy on the part of Maine's children and foster/adoptive families, I wish Jo many years of happiness ahead. Cheers!

Fall in Maine

I have been absent, not posting for a while. I wish I could say I was busy finishing quilts, but not so. Although I did deliver over 35 quilts to Kimball St Studios in Lewiston for Art Quilts Maine's second annual show! It is beautifully hung and it is not too late to view it. We have just decided to keep the quilts on display until October 29, so if you are in the area, stop by. Click the link for information on the gallery. Included in the show is this year's Travelling Challenge Quilt Show, the theme of which is fabric manipulation. The Travelling Challenge will be at Portland Public Library next, during December and January. Some truly creative pieces in that group!

We also traveled to Florida and Honu found a home, hanging on a wall at Jerry's Mom and PaPa Joe's home. It really is the perfect spot for this wall hanging, since we went with them to Hawaii, on the trip that inspired Honu.

I teach a full class tomorrow at Sew Portland on Free Motion Quilting. If you didn't get into this session, I'll be scheduling another one--maybe after the holidays. Meanwhile, work is progressing on the wedding quilt commission and a new round robin series.

I recently made up a new batch of Quiltini Pins and will be looking for opportunities to put them out for sale. Once I get started they are addicting to make--each a tiny, embellished quilt with glitz and glitter!

Friendship Maine

4 days, 5 quilts and more. A fitting end of summer retreat. I am teaching a techniques class at Sew Portland this weekend and next on creating quilts from photos (like these!) Call the store to see if there is space available at 797-6700.

Morning Walk

Fairies live here

Done