More Trees

This past weekend I took my bag of scraps and various other supplies to Augusta for the bi-monthly Art Quilts Maine meeting. I had been asked to teach my Tree Bits technique to the group. With only a couple of hours, we had time to get the trees from conception to adding tulle. Once the tulle was in place, people could carry their trees home without fear of losing all those tiny scraps! Photos of trees in progress have begun showing up on our Facebook page and in my email. I wanted to share a few here--isn't it wonderful how diverse they are!

Celeste's tree with thread painted branches

Jane made two trees! And created a lakeside scene

Laura's tree casts a lovely shadow on the snow covered ground

Such a fun group to work with--I hope to see many more completed trees soon! 

Student Work

Lisa's Tree 2017

Lisa sent me a picture of her tree, begun in the "Tree Bits and Thread Paint" workshop recently! She added a bush to one side, and quilted the background with small circles, which was a great choice from my perspective, as my favorite part of her tree is the red fabric with colorful circles that appears in three or four locations.

Class trees ranged from the more realistic to fantasy, with curls and curves a la Dr Seuss. Placing tree bits took much of the day, but as the trees took shape class participants began to see the possibilities. It's fun and relaxing, playing with fabric in such a low-stress way. Watch for the class to be scheduled again later this year!

Try Something New!

I downloaded a video by Esterita Austin called "Dynamic Fabric Art Portraits." I've linked to a short video preview. The technique was intriguing and I wanted to give it a try . . . sometime. Lucky for me, Art Quilts Maine members Jane and Pam issued a challenge in October to create a 12" x 14" portrait. Finished pieces were to be revealed in February. What a perfect opportunity to experiment with Esterita Austin's technique! Her portraits begin with a piece of hand dyed fabric.

Fabric used for Face

By means of judicious cutting, the entire face is constructed from that single piece of fabric. I was amazed at the way the features came together! Part two of her technique involves using tiny amounts of light and dark paint to add a few highlights and shadows. A thin line defines the eyes, a little white paint highlights the bridge of the nose, but there is minimal manipulation other than choosing how and where to cut the fabric. Speaking of which, my fabric looked rather ratty after I cut it all apart--you must be willing to sacrifice your piece of fabric to the portrait! Having created the face from one piece of fabric, I decided to use only one other piece to finish. I found this great, colorful elephant print in my stash and began cutting it apart into separate elements.

Fabric used for Frame

Jane gave us each a piece of red fabric to incorporate in our portraits, which I did though I defy you to find it! There are 6 or 8 pieces of the dark red fabric tucked in with the elephants and plants surrounding the face. This was really fun to do and I learned several tricks to use in future portraits, my current obsession! Here's my finished piece--still working on a name--any ideas?

Portrait 2017

Working the Thread of Life

Watercolor sketch

Art Quilts Maine issues an annual challenge to the members. The challenge is chosen from a list of themes, prompts and ideas members contribute. This year's challenge was titled, "The Power of Three." Discussion centered on the many references to the number 3, culturally, mathematically, mystically.

I knew I wanted to work with the human form. My mind wandered to the three fates and I started researching that thought. The three fates, from Greek mythology, are Clotho, Lachesis and Atropos, three sisters who spin, measure and cut the thread of life.

An image from my research stuck with me: "The Three Fates," one of 54 drawings completed in 1884 by the American artist, Elihu Vedder as an accompaniment to the Rubaiyat of Omar Khayyam, the Persian poet. It seemed like Kismet.

Detail, Clotho

Using Vedder's figures, I painted a watercolor sketch of each woman, scanned the watercolor then printed it on muslin. I enhanced the printed images with thread paint and colored pencil. Once satisfied, I cut each figure out and fused it to my starry background fabric. A scrap of brown and gold marbled fabric proved just large enough, with some judicious cutting and arranging, to give the Fates a promontory on which to stand. Swirls of sparkly purple organza provided a sense of the Fates gathering the very fabric of the universe. In a nod to Omar Khayyam, I printed out the verse, "The moving finger writes, and having writ, moves on; nor all thy piety nor wit shall lure it back to cancel half a line, nor all they tears wash out a word of it." 

We revealed our work at the Art Quilts Maine meeting in June, and exhibited the art quilts publicly at Maine Quilts in July. Mine is one of 10 pieces that will go on tour in Maine for the year. Among the venues are Kimball St. Studios in Lewiston from the September 30 Art Walk through the end of October, and the Children's Room at Portland Public Library during December and January. There are some great pieces in the show--hope you get a to see it!

Working the Thread of Life, 21" x 33" 

Free Motion Success Story

Barbara attended the Free Motion Quilting class in June. Having learned a trick or two, she went home and finished her first free motion quilted quilt, with stippling throughout and hearts on each of the Squares. It's a Disney Princess Quilt! Click on the photo for a better view. I love seeing what my students are doing with their newfound skills. Thank you Barbara for sharing your work and allowing me to post it. 

Summer!

Lamassu

Summer in Maine. Time to get out and enjoy other people's work at quilt shows, craft shows and galleries. Time to visit and reconnect with family and friends from away. We plan to paint the dining room/studio so, for the first time in a long while, the design wall is empty. I've been working on a commissioned king-size bed quilt for which I was asked to include a woodblock printed heavy cotton, with images of Cyrus the Great, Ahura-Mazda and protective Lamassu! What to do? I collected over 30 fabrics before I dared cut up the hand-blocked textile. I took courage from the fact that the piece had stains and would likely not be used again as it was. Keeping the piecing simple showcases the focus fabrics. A center section and borders are pieced but separate. I am contemplating whether to quilt in sections, complete the top before quilting on my trusty Elna, or complete then send the top to a long-arm quilter. I think my next step will be to work on quilting designs. That may drive the final decision. Here's a sneak peak!

Center panel

Class with Marilyn Belford

Rectangle Abstracted

I am taking a class series called "Art for Quilters" with Marilyn Belford. You may recognize her portrait quilts or her mythology series. I have been a fan for a long time. When I heard from a friend that she was teaching an online class, I couldn't sign up fast enough. Lesson one started out with a still life and abstracting geometric forms. Lesson two is a discussion of composition. Returning to the basics of art is so valuable for a quilter--after all, we work with color, value and composition no matter what style of quilting we may be doing. Here are a couple of examples from the first lesson. I love being a student. Probably the most fun part of the class so far is the one-on-one interaction with someone I admire--the somewhat scary opportunity to share my experiments with Marilyn Belford and hear her feedback and critique!

Shapes and Arrows

Stacked Coins

Cindy's Stacked Coins baby quilt

Beginning quilter classes are such fun to teach! Linda and I just finished teaching a two-day class using the Stacked Coins pattern, which we modified from a Moda pattern that is available several places online. It is a great beginner pattern, as it starts with a charm pack and has no matching seams, thus reducing concern about accurately cut patches. We finally have the lesson plan tweaked so the quilts were very nearly complete at the end of class. Most students just had to finish quilting and add binding, and many had the binding cut and ready to go.

One of our students, Cindy, sent these photos of her completed baby quilt! Quilted with straight-line stitching and beautifully bound with the same fabric as her backing. Well done! We love seeing our students' work. Send more pictures!

Next up is a Free Motion Quilting class, on Saturday, February 21, 10:00 to 3:00. Lots of hands on practice there, learning to 'draw' with the sewing machine needle. I encourage students to bring in unfinished quilt tops so we can brainstorm various ways to quilt and complete them. Want to join the fun? Sign up at Sew Portland--in person at 306 Warren Ave in Portland, or by phone at 797-6700. 

Chairs on Parade!

Class sample Picture This!

We had such a good time in Trenton at Sewing by the Sea! The class was called 'Picture This!' and the goal was to learn how to transform a photograph into a quilted wall hanging. For class, I used two of my photos from Friendship, Maine to create a pattern, and used that pattern to teach various techniques such as creating elements from the photo, working with shadows and reflections, and creating trees.

We created the boat in a traditional raw-edge applique manner; make a pattern, cut it apart and fuse to fabric, then reassemble as a single, portable element. We moved on to chairs which use a layered applique technique suitable to creating shadows and highlights on an object. As the chairs began taking shape we all got pretty excited and started pinning them to the bulletin board. Check out the chair parade! Finally we spent time learning my favorite technique for making trees--creating a negative space pattern, using batik and other bits of fabric, and tulle. So very cool.

March of the Chairs

The photo below shows one student's piece with the various elements fused in place. All that's left is to add some thread paint, layer with batting and backing and quilt. Next up? Peruse vacation photos for images and create their own, personal piece of quilted art. Nothing quite like a couple of days immersed in fabric, thread and fusible web!

Student work in progress

Honu Takes Off

Honu at Maine Quilts
Rana O'Connor 2014

Whirlwind month with lots of quilting activities and opportunities--Yea! Honu debuted at Maine Quilts and earned a ribbon. Judges comments included, "excellent choice of fabrics and placement to create stream of light." "Subtle seaweed design is well placed and well done." There were also some negatives, but we won't dwell on those! Honu is on his way to Manchester for World Quilt Show - New England XII where he will hang alongside quilts from Japan, the UK, Australia, South Africa and more. It is my favorite show, and of course we are going to spend a day lost in wonder.

Meanwhile, Art Quilts Maine had an exhibit at the Center for Maine Craft the month of July. Remember Chairs? They both sold, along with about two dozen Quiltini Pins! Guess I will be making more pins for future exhibits.

Speaking of which, I got a call from Maine Fiber Arts asking if 'Mom and Auntie Jean Play Gin' was available for an exhibit this fall at USM's Glickman Library. Mom will miss it, but she is happy to lend it. The dates are September 2 (my brother's birthday) to December 20 (my birthday.) Must be some symbolism in that! 

Classes are coming up, too. I'm teaching in Trenton August 22 and 23, at Sewing by the Sea. It's a technique class on turning photos into quilted wall hangings. Much like 'Honu' or 'Mom and Auntie Jean' in theory. The class is full and she is starting a wait list! That's exciting. Two classes are scheduled at Sew Portland this fall--the ever popular 'Beginning Free Motion Quilting', and a more advanced 'Thread Play' class. Participants will be given a piece of bold flower print fabric which they can cover with thread, both on the surface and as quilting. Kathy, who owns both stores, posted this video of me volunteering at her booth at Maine Quilts. I'm thread-painting the class sample, see?

A little R&R comes my way after the Trenton class with a long weekend's quilt retreat in Friendship. Ahh. Ocean, morning walks, afternoon kayaking, and all the quilting and sewing we care to do, with no interruptions. Can't wait.

Win a Free Online Class!

An opportunity came my way from Eric Woolf, online media coordinator from Fons and Porter to review an online class at:

 Click the link to check out their many classes for yourself! This site has lots of great classes, with new ones being added all the time. They are not liminted to quilting, either--classes on Knitting, Crochet, and Papercraft, or Sewing and Scrapbooking are also available at a click of the mouse.

I had my pick of the classes, so I chose

with several well known instructors. The class was an hour long, formatted much like a TV show, with several 10-minute segments. The focus was on enhancing quilts (primarily art quilts) by the use of image transfers, colored pencil applique, understanding color temperature and more. I really enjoyed the technique segments--Heather Thomas' image transfer techniques really got me thinking about adding photography to quilts again. I had not loved using the prepared fabric and she shows several ways to use your own fabric for fabulous results. I also love that you can move through this class at your own pace, stopping, rewinding, or returning to the information at a later date.

Because this was a series of short segments, I was aware that not all the segments would appeal to me--such as joining binding edges--but I could skip over that easily enough. Also, being short segments, I found myself wanting more--more information, maybe taking a project from start to finish. But, there are classes on the site with a single instructor and those would cover a topic in depth. Maybe Heather Thomas will do a full hour on image transfers soon!

While these classes are quite affordable--ranging from under $4.99 to $9.99--the quality is excellent, with plenty of close ups to be sure you can see what the instructor is working on.

And here's the best news--one lucky reader will win a Free Class at
   

Just leave a comment on this blog saying "I want to win!" and I will contact the winner with instructions on how to access their free class.


More quilt photos! Click here

In the Water

Honu (Hawaiian for sea turtle) has made it into the water. He has definitely moved at a "turtle's pace" since the image was drawn onto the background fabric at last year's Friendship retreat. I'll be back in Friendship this August and hope to bring Honu with me! Next steps to consider are thread paint (or not) trapunto (or not) and quilt--no choice on that, it has to be quilted or it will be too fragile to travel. I wonder how adding thread is going to change this piece? wonder how this temporary spray adhesive technique I came up with will hold up to the maneuvering needed for stitching?
For now, though, I am savoring the moment of finally pinning Honu in place on the background and enjoying seeing him swim.

Honu 46 x 36 Rana O'Connor

More quilt photos

Yes! Water!

After months of placing, pasting and rearranging, I tried a different technique for the water on my turtle quilt, Honu, and I am really liking it so far. Labor intensive but so worth the liquid feeling. Here's hoping the same technique will carry through to create rays of sunshine and the coral reef. Although I worked all afternoon--I even had help cutting fabric--I got just a narrow strip completed. I tried to get a photo, but it doesn't come through on camera yet, looks disjointed. You will just have to wait a bit. If the stars align I will get more done this weekend, and be able to get a photo that reflects what I am seeing develop. It's so exciting to be moving forward though that I wanted to give you a heads up! I generally don't advertise a particular product, but I  would not be getting through this project without 505 temporary spray adhesive. I love how I can spray the foundation, put pieces in place, move, rearrange, spray again, add more layers and when I am done, find the piece is not too sticky to manage. I worked on the dining table today, then held my breath and picked up the whole piece to transfer back to the design wall. It worked! When I have the background completely laid out, I will give it a final spray and cover with tulle. I found the glue dries quickly and cleanly so I'll be able to thread paint or quilt right over it. I have tried other glue products before and have found them either too messy or they dry and pieces can't be rearranged. On Dreams I literally tore the girl's hair out in order to rearrange a section! Swore then that I would find another technique. The only drawback I see is spraying a chemical into the studio. While 505 temporary adhesive has no offensive odor and claims to be non-toxic, I still might put a gas mask on my Christmas list

Quilt gallery and quilts for sale at: Quilt Photos

It's Not Water Yet!

I am at an impasse with my honu quilt. The turtle is great. I covered it with tulle so it can be lifted up as a separate element and put to the side, which is also good. The background, though. The water. It has stymied me for months! I've bought lots of blues/greens. Pulled out every blue in my stash and scraps. Cut strips, irregular shapes, small bits. Ever get to a place where you can't seem to make progress? My next thought is to pull the piece off the design wall and try working on it, section by section, on a table. At least that would alleviate the fatigue of having my arms up all the time, placing and rearranging fabrics. And I want to try using very small bits of fabric--it feels too jumpy with the wide strips and large shapes. I know I will resolve this--I always figure a way out of my self-made dilemmas. On the bright side, Linda M and I will be teaching a new class, starting May 31 at Sew Portland! It's our class on color and design--I totally love the variety of designs that flow from a stack of half square triangles.

Quilt gallery and quilts for sale at: Rana's Quilts

Published!

Here's a fun piece I made for a friend who loves fairies. It was published in Quilter's Digest, a newsletter you can find, free, at your local quilt store! I'll be teaching another class with Linda Morrisette at Sew Portland May 31, June 7 and June 14. The class, "In Living Color" demonstrates a fun way to choose colors for your quilt projects, then design a small wall hanging using half-square triangles. Very easy piecing, beginner friendly. Find something with colors you love and bring it to the first class. It could be an art object, a photograph, maybe a page from a magazine. As long as you  love the colors it will work. Will schedule an optional free motion quilting class for those who want assistance finishing the wall hanging. Click here to register!

Quilt gallery and quilts for sale at:Photos

Stephannie's Monkeys

Stephannie finished her quilt! She took the Stacked Coins class but missed part of it, so she caught up with Linda and me to complete her adorable Monkey baby quilt. It is a present for a nephew, and I think it came out great! Especially love the red and white striped binding, which she completed entirely by machine. Check out the straight rows of quilting in the solid cocoa brown, too. Nice work, Stephannie! Anyone else from the class want to send a photo to post?

I expect to teach another class later this spring. I hope to have the posting up on the Sew Portland site soon.

Quilt gallery and quilts for sale at:Photos

Honu in process





Honu in process

Worked on Honu today, adding much of the shell. Not sure it is done yet--but getting close. Loved the technique of spraying temporary glue on the background and layering on the fabrics--the only glue option I have felt OK using so far. Once I am settled with the shell, I plan to move on to free-form ocean for the background, in shades of aqua, blue and bits of bright colors. I am wondering if I should layer tulle over the turtle before jumping into the background as a way to protect all the little bits while I work around it. I think I need to head to a fabric store with some of the fabrics in hand to audition various tulles sooner rather than later, as once the tulle is in place, I am committed to the fabric choices beneath it. Does honu look ready to swim?
Quilt gallery and quilts for sale at: Rana's quilt photos.

Honu with re-worked shell

Stacked Coins and Class Announcement

Liz' Kidz

I start with have high hopes that all the students in my classes will leave with a totally finished product. I am finally realizing that it isn't about taking that last stitch--it's about what you learn along the way. The Stacked Coins class learned color and fabric selection, cutting techniques, tips to improve design and layout, setting up their machines to sew scant 1/4" seams, string piecing, spray basting, straight and free motion quilting, a little quilt-as-you-go, binding and labels. Most are also done or very nearly done with their quilts, so, mission accomplished! Whew!


Monkeys! by Stephannie

Ready for more? Linda and I will be teaching "In Living Color" as our next adventure. Linda is only able to join us for the first session, Friday, March 29 at 3:00. This will be a test to see how I manage without my trusty co-pilot. The class continues on April 5 and 12, with a goal of completing Just the Top! This class starts with an image or object you bring whose colors inspire you, and translates that inspiration into the the colors of your quilt. Trust me!

Grandmother's China by Rana

Quilt gallery and quilts for sale at: Photo Album

Finito

Here are the other two completed projects. The fairy is a present for a friend who has gifted me with fairy-themed calendars every year. Still looking for a day when I can meet up and give it to her! Sequins add a touch of sparkle to the background. The other piece, Circular Convergence, is from a pattern handed out at our guild, along with one of the 4 fabrics needed to complete the pattern. The style of quilt is called convergence quilts, created by Ricky Tims. I had thought to go all neutrals when I got the brown fabric, but somehow I ended up with the red and yellow--they just seemed to invite themselves. I quite liked quilting the big, interlocking circles and pretty feathers on the border. I would say this is my most successful feather quilting to date. No new projects on the design wall--must change that!

Quilt gallery and quilts for sale at: Photos

Stacked Coins Tutorial Part 1

I am teaching a 6-week series for new quilters at Sew Portland starting January 25. I thought it would be fun to post a tutorial here for the stacked coins quilt we'll be working on in class. Work along with us if you like! Here are the fabric requirements:

 

 Select a charm pack or equivalent fabric (you will need at least 30 charms). Add 1 yd of neutral background fabric; 1⅓ yards backing fabric; ¼ yard binding fabric (or a fat quarter) and 1 crib size batt.

 

 Cut charms in half. I chose to leave a few uncut, like the girl on a swing--so look through your charms before you cut! If any of your charms have directional prints, be mindful when you cut them—note the dogs on the red charm.

 Make two stacks of cut charms (coins) and start chain piecing pairs. Try not to get too fussy about which coins to pair up. Leaving 8 to 10 coins unpaired will give you design flexibility. Press paired coins open, pressing seams to one side. Lay out 3 columns with 20 coins in each column. Don’t forget to include any uncut charms in your columns—count each of those as 2 coins. Use your single coins as needed to create three columns that make you happy. Stitch columns, press. They should each be roughly 42” long.

 

 Check back for part two. This is a super simple quilt and lots of fun to make with different fabric and quilting choices. Any questions? 

Quilt gallery and quilts for sale at: Rana's quilt photos